Interview: Matt Bomer on AfterElton

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Interview: Matt Bomer on "Glee", "8", Channing Tatum and Darren Criss

Posted by Jim Halterman, Entertainment Reporter on April 12, 2012

Whether you’re a Glee fan or not, this week's “Big Brother” episode was a don’t-miss, primarily because of a guest starring role for the handsome and much in demand actor Matt Bomer. He played Cooper, the arrogant mini-celebrity brother of Blaine (Darren Criss). Not only did the Brothers Anderson look great side by side, but the show wisely let Criss and Bomer show off their nicely matched vocal talents in a Duran Duran mash-up of “Hungry Like The Wolf” and “Rio” as well as a heartfelt rendition of Gotye’s “Somebody That I Used To Know.”

After shooting his Glee episode and appearing as Matthew Morrison’s lover in the LA reading of Dustin Lance Black’s 8 play, Bomer went back to New York City to begin filming new episodes of his USA series White Collar. But the actor still managed to find a few minutes after shooting White Collar scenes to check in with us after his Glee episode aired. Of course, he also talked up Magic Mike and his co-star Channing Tatum, his part in 8 and what fans can expect with the upcoming new season of White Collar.

AfterElton: I was watching your Glee episode, and I thought ‘Is there anything Matt Bomer can’t do?’ So I need you tell me one thing you cannot do.
Matt Bomer: [laughs] You know, Jim, without the smoke and mirrors of Hollywood there are many, many things that I cannot do. I will tell you that on set I do tend to trip a lot. In real life, you don’t get to call ‘cut!’

AE: How are you feeling the day after the Glee episode aired and the buzz has been out there?
MB: I thought the whole episode was a lot of fun, and I was really proud to be a part of it.

AE: Did you have a hand at all in who Cooper Anderson was or was that pretty much on the page already?
MB: It was pretty much on the page when I got to set, and it was just such fun material that Ian [Brennan], Michael [Hitchcock] and Ryan [Murphy] came up with. It was fun to get to play in their sandbox for a little while.

Bomer and Darren Criss (right) play brothers on Glee

AE: Neal Caffrey [Bomer’s White Collar character] and Cooper are very, very different. How did it feel to step into Cooper’s shoes?
MB: I think that’s why you become an actor is to get to hopefully play a variety of different roles, and it was fun to live in someone else’s skin besides Neal for a little while. And, you know, it was fun to be a part of a different environment. I think everybody who works on a different show should have to guest on another show. You get an appreciation for home base. I had a blast at Glee but it also made me appreciate White Collar more, because when you get to go off to do some other parts it makes it more fun to come back home.

AE: I know Glee shoots very fast especially with all the material they work with, but how was it to jump into that and be a part of a different kind of race?
MB: For the most part, the script we got way ahead of time, but it was the recording and definitely the choreography we had a little less lead time. I think we got the choreography the night before we filmed it, so I definitely went to bed sweating that night.

AE: Did you know Darren before any of this with Glee came about?
MB: We hadn’t met, so we had dinner before we started working together, and we really hit it off. He’s really a creative soul and really amenable to doing the homework and getting to know me. And I think that really helped us out when we got to set and were brothers. It’s difficult to play a complicated history like that if you don’t have some knowledge of the other person.
He’s just great. He’s a fantastic artist and I’m glad I got to work with him. We also had really masterful direction from Eric Stoltz. I really count myself blessed to get to work with him. He’s a fantastic director. He’s a real rarity in that he’s incredibly technically proficient but also wonderful at being actor-friendly. He helped to navigate us for some waters that might have been trickier in other hands.

AE: I’m guessing if Glee wanted you back and it worked out schedule-wise that you’d be open to it?
MB: Yeah, that would be great! That would be a blast. I had a great time with everyone there. I’m just completely blown away by all the young actors and artists on the show. They were so professional and it’s truly amazing what they put together on a weekly basis at such a high quality. I’m really flattered that I got to be a very tiny part of that show. Anytime they want me, I’d be there.

AE: The Transformers audition video that came out after the episode was hilarious!
MB: Thanks, that was just something that we came up with on the spot and we thought it would be fun to be able to see the audition for Transformers 4. Cooper wouldn’t be auditioning for a very big role ? maybe 2 or 3 lines - so we had a lot of fun with it.



AE: Watching the 8 reading here in LA, I was really struck by all the great talent on the stage, but how was the experience for you?
MB: I had done it in New York. We did it one night on Broadway and there were a lot of amazing artists on stage that night too, like Morgan Freeman and John Lithgow, so that helped soften the blow, but the LA production was just a nebula of both creative talent and people I’ve admired and respected as artists for years. I think something that really helped me sort of take it in stride is that it was a really fast process. We did one rehearsal and then we did it, so when you just are thrown into it like that there’s not lot of time to appreciate the surreality of it. But I think for the next couple of days after the reading was finished I was definitely still reeling from being surrounded by so many talented people. I’m one of those weird people where I get more star struck by directors and directors of photography and things like that than I do with actors. Maybe because I understand the actor’s process a little more.

(L-R) Bomer, Matthew Morrison, George Clooney attend the one-night reading of "8"

Bomer (right) with Channing Tatum (center) in a scene from Magic Mike

AE: Magic Mike will be coming out soon but how are you feeling about that?
MB: I’m really excited for people to see it, especially for Channing [Tatum]. The work I saw him do in this film was so amazing and unique and I’m really excited for people to see what he does with this role. And I think Steven [Soderbergh, director] is such a master of his craft that I think he’ll surprise people with what they expect. Hopefully it will fulfill people’s expectations and surprise them with some different direction, as well.

AE: Have you had a chance to see a cut of the film yet?
MB: I haven’t been able to get a day off to see it but I’ve talked to some people who have but I’m one of those people who tries not to have any expectations so I can go in and be surprised.

AE: How long have you been back filming White Collar?
MB: We’re about to start episode four. We had the luxury of beginning the season in Puerto Rico, which was quite nice.

AE: That doesn’t sound awful!
MB: It was pretty great. It was a real treat.

AE: I know it’s early but what can you tease at this point about the new season of the show?
MB: It’s difficult to say because it’s so early on…but obviously I am returning to the show so I can give you some subjective things that I can discuss. You definitely get to delve into Neal’s history a little bit more. In no time we’re back in the familiar, typical sort of Howard Hawks-ish pitter-patter and procedural banter that we do all the time but there are a lot of new developments in terms of the overall mythology and the character relationships. It’s been a lot of fun to play so far. I think it’s going to be a lot of fun and we had a really, really great time shooting in Puerto Rico. We got to shoot a lot of fun stuff that we don’t usually get to do on the show so we shoot on the beach and a small town and get that kind of island feel was a real departure in a very fun way.

Bomer and co-star Tim Dekay (right) on the set of White Collar

AE: How have you been able to juggle everything? I’m guessing between White Collar and Glee and 8 last month…are you able to keep it all straight in your head or do you just ride the rollercoaster that you’re on?
MB: Well, I don’t like to get ahead of myself in any way but I’m just trying to roll with the punches and enjoy every aspect of everything I’m lucky enough to be a part of and I try to be present and in the moment for each of those opportunities and have fun in all of them. But, sure, it’s definitely been a cycle of going from one to the next to the next but I think that as an actor that’s sort of what you dream about and that’s what you work really hard for years and years to build up to so I’m really grateful to be working on fun stuff as an actor and to have a great family and as an artist, hopefully, that’s what you work towards so I’m really grateful. When you lose that sense of gratitude that’s when you’re in trouble.

White Collar returns with new episodes this summer. To download the songs from last night’s Glee, go to ITunes. Magic Mike takes it off in theaters June 29th.

"8": A Play about the Fight for Marriage Equality

Have you watched yet?

Brad Pitt, Martin Sheen, George Clooney, Christine Lahti, Jamie Lee Curtis, Bridger Zadina, Jansen Panettiere, Matt Bomer, Matthew Morrison, Rory O'Malley, Yeardley Smith, Jesse Tyler Ferguson, Chris Colfer, James Pickens, Jr., Cleve Jones, Campbell Brown, Vanessa Garcia, Kevin Bacon, John C. Reilly, George Takei, Jane Lynch
Written by Dustin Lance Black

Broadway's 8, the Prop 8 Courtroom Drama - Matt Boner

[Source]
Playbill.com Talks to the Stars of Broadway's 8, the Prop 8 Courtroom Drama
By Harry Haun
20 Sep 2011

Dustin Lance Black
Photo by Joseph Marzullo/WENN

Morgan Freeman, Matt Bomer, Bob Balaban, John Lithgow, Ellen Barkin, Cheyenne Jackson and more brought the fight for marriage equality to Broadway Sept. 19 in Dustin Lance Black's 8, drawing from California court transcripts.

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What "opened" Sept. 19 at Broadway's Eugene O'Neill Theatre, for that one night only, was a previously secured Pandora's Box of socio-political agitprop — the actual transcripts, massively edited and superbly reenacted, of Perry v. Schwarzenegger, a case brought last year to overturn California's 2008 voter-approved anti-gay Proposition 8.

Rather fittingly, the refried courtroom drama was played out by a starry, conspicuously committed cast of 21 name-brand actors, under the glistening white church arches and stained-glass facades where The Book of Mormon normally works out. The choir they were preaching to, for the most part, was an audience of the converted.

The setting was not altogether a surprise since one of that musical's recent Tony contenders, Rory O'Malley (he's the young Elder who gleefully subscribes to a "Turn It Off" policy of gay discretion), is a founding father of Broadway Impact, an organization favoring marriage equality and formed the minute Proposition 8 passed in California. "It's nice to be in the family house," O'Malley admitted.

This East Coast group joined hands with the Los Angeles-based American Foundation for Equal Rights as sponsors of the evening, and the expected $1 million proceeds are earmarked for AFER and their on-going fight against prejudice.

The drama at hand is a now-it-can-be-shown saga of the suit two California couples — Sandy Stier & Kristin Perry and Jeff Zarrillo & Paul Katami — brought to challenge Proposition 8. Theodore B. Olson and David Boies, who famously represented the opposing sides in Bush v. Gore, argued their case successfully before the Republican-appointed Chief Judge Vaughn Walker, who ruled that Prop. 8 unfairly discriminated against homosexuals. (That ruling is now being appealed.)

Those proceedings were originally set to be broadcast live, but the opponents of marriage equality filed an emergency appeal to the U.S. Supreme Court that effectively denied national access to the testimony — until now. One daily visitor to the courtroom took notes, seeing a play in the proceedings, and got the transcripts.

	Morgan Freeman
	photo by Joseph Marzullo/WENN

Dustin Lance Black, the Oscared scripter of "Milk," trimmed 12 days of testimony into a compact-but-still-coherent 90 minutes that provided a fair playing field for both sides, along with some effective drama and some surprising laughs.

It was a formidable undertaking. "Those transcripts have more frequent-flyer miles than most bi-coastal businessmen," admitted Black. "I used to carry them with me. All my little pay jobs, I would take another binder — there were many of them — and start finding the gems, finding the things that I thought were personal or humorous — and then, also, places where each side made their best points.

"Thankfully, I was there the entire time throughout the experience. I'm a founding board member of AFER so my first responsibility is to the case, and then when I met Broadway Impact — Rory — he said that if I wrote something he would stage it as a fund-raiser. Really, it was his idea. Then, I signed on and AFER signed on, and it became something that none of us thought it would be when I first met him for coffee."

Now that the play has gotten its act together for its solitary Broadway showing, the plan is to roll it out to the provinces — to college campuses and regional theatres throughout the country for presentation. Foes of marriage equality, said Black, "know that trial did not go well for them. They don't want this seen. I think it's incredibly important that it be seen, that this play act as an outreach of education so it's going on tour — for no charge — so people across the country will know what the arguments are on both sides as it makes this way toward the Supreme Court because there's no state, there's no city, there's nowhere in this country that will not be affected by this U.S. Supreme Court's decision so we all have to know what we're talking about."

8 immediately goes to Northwestern University and the University of Michigan. Productions also are currently being developed at American Repertory Theatre, Williamstown Theater Festival and Carnegie Mellon University.

As world premieres go, 8 had a light turnout of stars. Fran Drescher and Peter Marc Jacobson were very much in evidence, as was Judith Light. "I think this is so extraordinary, I can't wait to see it," Light gushed to the press, "and, of course, it is being directed by Joe Mantello, who's my director of the moment." Come Thursday, she joins him, Stockard Channing, Stacy Keach, Rachel Griffiths and Thomas Sadoski in preparing Jon Robin Baitz's Other Desert Cities for a Nov. 3 date on Broadway.

	Christine Quinn
	photo by Joseph Marzullo/WENN

The prettiest and most prominent of the politicos in attendance was, easily, New York City Council Speaker Christine Quinn, who spoke with some vaulted eloquence of the evening. "There were folks camped out overnight to get tickets to this play. What a message that sends about how committed New Yorkers are to equality and helping other states achieve marriage equality as we've done here! And what a wonderful way to get that message across on The Great White Way, yet again using art and theatre to send an empowering social-change message."

Like good little converts, the audience sat rapt and riveted as testimonies raced by.

Oscar winner Morgan Freeman, with some Nelson Mandela still clinging to his persona, commanded focus as he fought his usual good fight playing defense attorney Boies — with Spencer Tracy gone, it was hard to quarrel with that casting — even Boies later said Freeman did a better job of the words than he did.

Then, the twice-Tonyed John Lithgow completed the one-two punch of good-guys with a roof-raising summation that busted the applause meter. "It overtook me as I was speaking," he confessed later. "I knew it had to be the final big impact of the play, but, I dunno — something just swept over me. The audience was so with it because it was resoundingly speaking what they wanted to hear said. It was great."

The man he was playing, Olson, admitted that the speech — like much of the play — brought tears to his eyes. "The kind of performance you give in the courtroom is quite different from what you saw on stage, but John did a brilliant job of it."

	Christine Lahti
	photo by Joseph Marzullo/WENN

Christine Lahti and The Normal Heart's newly Tonyed Ellen Barkin dispatched the female half of their clients — Perry & Stier — married with kids: twin sons, Spencer and Elliott, played by Jay Armstrong Johnson and Ben Rosenfield — and the male half, Zarrillo & Katami, was played by Matt Bomer and Cheyenne Jackson.

At play's end, all eight real-life characters were summoned to the stage to take a bow with their impersonators, by Rob Reiner, one of two actors on stage who was a card-carrying director (the other was the judge, Bob Balaban).

Reiner proved himself very much Carl Reiner's boy, delivering a hilarious meathead performance in a meaty cameo: a particularly pedantic Prop. 8 advocate.

Balaban, who made his movie debut as Joe Buck's high-school pickup in "Midnight Cowboy," presided with his customary judicial dignity. No one would suspect he had the shakes from the altitude: "It was very challenging. My judge had to sit on top of a high platform, and I was very afraid that I would fall off at any time." This didn't prevent him from drawing some droll fun from the judge. "One of the things they said to us, because we did rehearse — today, for a couple of hours — was, 'Don't forget: Funny things did happen in this trial. People laughed in the trial.' We were allowed to get laughs in this because some of it is really funny."

He also didn't disguise his attack mode toward the prosecuting attorney, Charles Cooper, played with frazzled exasperation by Bradley Whitford. "I played a vaguely similar judge, actually, in 'Howl,' the movie about Allen Ginsberg, only in that case the judge was much more hidden about his opinions," recalled Balaban. "In this case, this judge does seem to come out, kind of — but, of course, you could have performed it differently. I could have been sweeter, but I decided not to be."

Doubtlessly, Whitford in the hapless role of Cooper appreciated the mercy shown. "Just think what this guy went through," he said. "He's a smart guy. I don't think he ever thought it was going to get to court. I think he thought it was just going to go through the motions. What is striking about the trial is that, once you get into court, not only is he facing the greatest team of lawyers a human being can face, but there is absolutely no argument against civil rights justification for same-sex marriage. So I thought of this guy like the coyote in the roadrunner cartoons where he's running really, really fast and then suddenly realizes, ‘I went over the cliff.' Aw, going down."

	Jayne Houdyshell
	photo by Joseph Marzullo/WENN

Jayne Houdyshell, still basking in her Follies raves, is another who had fun playing the devil's advocate — in this case, Maggie Gallagher, a strident pro-Prop. 8-er. Her first four words — "The bottom line is" — brought the house down. "I had no idea that that line would get the response it did. But it was a nice way to start the moment. I was very flattered and happy when I was asked to do this because I think it's a really glorious project and needs to be done, and I hope it's done all across the country. It's a brilliant idea to present it in this way so people can see and cheer up-close a personal and historic moment in our country."

O'Malley wangled himself a character in the evening, Ryan Kendall. "I just met him yesterday," he said, "a very strong, amazing individual with a sense of humor and a lot of compassion and courage who's sharing his story about going through conversion therapy because his family wanted him to change who he was."

Stepping outside his immediate acting circle and getting a good look at the cast assembled, he called it "a dream come true — mostly because I have been watching so many of these actors as a kid growing up. It means so much for them to support this issue. So many of them are straight actors whom I really look up to."

Manning other real-life roles were over-qualified worthies like Yeardley Smith, Kate Shindle, Anthony Edwards, K. Todd Freeman, Ken Leung, Larry Kramer, Campbell Brown and Stephen Spinella.

MSNBC - Dustin Lance Black's Prop 8 Play

Bradley Whitford on MSNBC with Thomas Roberts for "Prop 8 Drama Hits Broadway for 'One Night Only' Premiere"